巴米扬文化中心竞赛
Bamiyan Cultural Centre Competition,Bamiyan,Afghanistan

建筑面积(GFA)：2,650sqm
2015，巴米扬，阿富汗
主创及团队：曹振宇、陈宣儒
阶段：竞赛

“我只想和我的家人一起共处在同一个地方，然后去上学。我有梦想，也更想拥有一个安宁的生活。”
法齐娅·古菲（阿富汗塔吉克族女权倡议者及女性政治家，并于2014年角逐阿富汗总统选举，她是当今阿富汗政坛中民主派的代表人物）回忆道，那时战争迫使她不断的逃离她原本的生活。战争使阿富汗人们失去了家园，也使人们的生活笼罩在战后的阴影中，迷茫，漂泊，并且煎熬在背离为善的古老宗教信仰和文化中。
所以，为现在的阿富汗建设一座文化中心，已经不能只停留在解决功能等基本的需求，同时也更需要对当地人们的心灵状态以富有精神性的空间形式做出反应。为此，项目旨在创造这种空间，它包括了代表过去的能抚慰记忆和重塑信仰的“记忆空间”，代表当下的能重拾安宁的“生活空间”以及代表美好未来的能鼓动勇气去发现和追求的“梦想空间”。
利用现有基地一边高一边低的现状条件，我们将基地一分为二，重新定义为 “过去”和“未来”。主楼被隐藏在基地较居中的高差边界位置，当来访者从南侧（基地高侧）步行进入场地，途经以碎石满铺的“记忆沙场”，站立在入口处的平台上，俯瞰整片绿色树冠的“未来”希望场景，也就进入了从过去到未来的感受之旅。
建筑由记忆空间，生活空间和梦想空间三大部分组成，贯穿整个场地，并通过一贯穿过去和未来的通道贯穿成整体。
通过这一通道，它展现了从暗至明，从明至多彩，从多彩至豁然开放的时空,我们期望新的巴米扬文化中心不仅是人们聚集，交流和庆祝的地方，同时也是伤口愈合和舒缓心灵的场所。

"I just wanted to live with my family in one place and go to school. I have dreams, but I also want a peaceful life."
Recalled Fawzia Koofi, an Afghan Tajik women's rights activist and politician who ran for the Afghan presidential elections in 2014. The war forced her to flee from her normal life, and for many Afghans, the war has taken away their homes and left them lost, displaced, and struggling with the departure from their traditional religious beliefs and culture.
Therefore, constructing a cultural center in present-day Afghanistan must not only meet basic functional needs but also respond to the spiritual needs of the local people through a space that inspires and uplifts. The project aims to create such a space, including a "Memory Space" that represents the past, a "Living Space" that represents the present, and a "Dream Space" that represents a better future.
By taking advantage of the site's existing high-low terrain condition, the site is divided into "Past" and "Future." The main building is hidden in the middle of the site's high-low border. Visitors entering from the south side (the high side of the site) will pass through a "Memory Sand-battlefield" filled with gravel, stand on the entrance platform, and look out over the green treetops of the "Future" hope scene, thus embarking on a journey from the past to the future.
The building consists of three parts: Memory Space, Living Space, and Dream Space, which run through the entire site and are connected by a passage that traverses the past and the future. Through this passage, the building showcases the transition from darkness to light, from light to color, from color to openness, and we hope that the new Bamiyan Cultural Center will not only be a place for people to gather, communicate and celebrate, but also a place for healing wounds and soothing souls.
This project is not just about creating a physical structure but also about responding to the needs of the local people and providing them with a space that inspires and uplifts.